Japan Performing Arts
Sources: The Library of Congress Country Studies; CIA World Factbook
A remarkable number of the traditional forms of music, dance, and theater have survived in the contemporary world, enjoying some popularity through reidentification with Japanese cultural values. Traditional music and dance, which trace their origins to ancient religious use--Buddhist, Shinto, and folk--have been preserved in the dramatic performances of No, Kabuki, and bunraku theater. Ancient court music and dance forms deriving from continental sources were preserved through imperial household musicians and temple and shrine troupes. Some of the oldest musical instruments in the world have been in continuous use in Japan from the Jomon period, as shown by finds of stone and clay flutes and zithers having between two and four strings, to which Yayoi-period metal bells and gongs were added to create early musical ensembles. By the early historical period (sixth to seventh centuries A.D.), there were a variety of large and small drums, gongs, chimes, flutes, and stringed instruments, such as the imported mandolin-like biwa and the flat six-stringed zither, which evolved into the thirteen-stringed koto. These instruments formed the orchestras for the seventh-century continentally derived ceremonial court music, which, together with the accompanying bugaku (a type of court dance), are the most ancient of such forms still performed at the imperial court, ancient temples, and shrines. Buddhism introduced the rhythmic chants, still used, that were joined with native ideas and underlay the development of vocal music, such as in No.
Data as of January 1994
NOTE: The information regarding Japan on this page is re-published from The Library of Congress Country Studies and the CIA World Factbook. No claims are made regarding the accuracy of Japan Performing Arts information contained here. All suggestions for corrections of any errors about Japan Performing Arts should be addressed to the Library of Congress and the CIA.